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Ripple’s Portfolio


Puff x Power Girls
A collection of short stories featuring various scenes and characters from the story Puff and Power Girls by the author known as Ripple.
Puff and Power girls is a historical fiction centred around the woman who was alleged to have poisoned General Sani Abacha.
PROJECT OVERVIEW
Puff & Power Girls is an episodic historical fiction series created by Ripple, exploring political intrigue, power, and womanhood through character-driven storytelling set in late-1990s Nigeria.
CONCEPT & INTENT
The series reimagines the socio-political climate surrounding the alleged poisoning of General Sani Abacha, using fiction to examine themes of power, gender dynamics, secrecy, and survival within elite political and social circles.
Through layered scenes and intimate perspectives, the work seeks to humanise history while inviting readers to question official narratives and consider the hidden roles women occupy within structures of power.
MY ROLE
I conceived and authored the series, developing the narrative universe, characters, and episodic structure. This includes crafting atmospheric scenes, dialogue, and character viewpoints that immerse readers in both the political tension and social environments of the era.
PROCESS & APPROACH
The writing blends historical context with fictional storytelling, combining sensory scene-setting, dialogue-driven pacing, and interior narration to build tension and emotional depth. Each episode focuses on a distinct character perspective, contributing to a larger unfolding narrative.
FORMAT & DEVELOPMENT
The project is structured as an ongoing episodic collection, with six episodes released to date, each presenting interconnected scenes and characters that expand the story world.
THEMES EXPLORED
Power & influence • gender & agency • political myth vs memory • social performance • secrecy & survival
OUTCOME & AUDIENCE
The series contributes to Ripple’s wider body of literary and digital storytelling work, engaging readers interested in historical fiction, political narratives, and character-led storytelling rooted in African contexts.
SKILLS DEMONSTRATED
Long-form storytelling • historical fiction writing • world-building • dialogue & character development • cultural research • episodic narrative design
Puff and Power girls is a historical fiction centred around the woman who was alleged to have poisoned General Sani Abacha.
PROJECT OVERVIEW
Puff & Power Girls is an episodic historical fiction series created by Ripple, exploring political intrigue, power, and womanhood through character-driven storytelling set in late-1990s Nigeria.
CONCEPT & INTENT
The series reimagines the socio-political climate surrounding the alleged poisoning of General Sani Abacha, using fiction to examine themes of power, gender dynamics, secrecy, and survival within elite political and social circles.
Through layered scenes and intimate perspectives, the work seeks to humanise history while inviting readers to question official narratives and consider the hidden roles women occupy within structures of power.
MY ROLE
I conceived and authored the series, developing the narrative universe, characters, and episodic structure. This includes crafting atmospheric scenes, dialogue, and character viewpoints that immerse readers in both the political tension and social environments of the era.
PROCESS & APPROACH
The writing blends historical context with fictional storytelling, combining sensory scene-setting, dialogue-driven pacing, and interior narration to build tension and emotional depth. Each episode focuses on a distinct character perspective, contributing to a larger unfolding narrative.
FORMAT & DEVELOPMENT
The project is structured as an ongoing episodic collection, with six episodes released to date, each presenting interconnected scenes and characters that expand the story world.
THEMES EXPLORED
Power & influence • gender & agency • political myth vs memory • social performance • secrecy & survival
OUTCOME & AUDIENCE
The series contributes to Ripple’s wider body of literary and digital storytelling work, engaging readers interested in historical fiction, political narratives, and character-led storytelling rooted in African contexts.
SKILLS DEMONSTRATED
Long-form storytelling • historical fiction writing • world-building • dialogue & character development • cultural research • episodic narrative design


Nameless
A collection of poetry narratives and storytelling through poems, capturing various scenes and characters.


Fifteen Lifting
PROJECT OVERVIEW
Collaborated on a picture book documenting the landscape and architectural identity of Afe Babalola University, designed to visually and narratively capture the atmosphere of the campus.
CONCEPT & INTENT
The project aimed to present the university environment not only as a physical space, but as an immersive and lush learning community, highlighting its natural scenery, architectural design, and student experience.
MY CONTRIBUTION
I developed the narrative voice of the book, writing accompanying text and captions to guide readers through the visual journey. My work focused on translating spatial and visual details into evocative language that enhanced the reader’s sense of place.
PROCESS & APPROACH
Working collaboratively with the visual team, the creative director Raphael Esu, and the photographer, TStickz, I ensured the written elements complemented the imagery, maintaining tonal consistency and clarity while reinforcing the project’s storytelling objectives.
OUTCOME
The finished book serves as a visual and narrative showcase of the university, supporting institutional storytelling and providing a compelling representation of campus life.
SKILLS DEMONSTRATED
Narrative writing • editorial collaboration • place-based storytelling • visual-text integration • audience-focused communication
Collaborated on a picture book documenting the landscape and architectural identity of Afe Babalola University, designed to visually and narratively capture the atmosphere of the campus.
CONCEPT & INTENT
The project aimed to present the university environment not only as a physical space, but as an immersive and lush learning community, highlighting its natural scenery, architectural design, and student experience.
MY CONTRIBUTION
I developed the narrative voice of the book, writing accompanying text and captions to guide readers through the visual journey. My work focused on translating spatial and visual details into evocative language that enhanced the reader’s sense of place.
PROCESS & APPROACH
Working collaboratively with the visual team, the creative director Raphael Esu, and the photographer, TStickz, I ensured the written elements complemented the imagery, maintaining tonal consistency and clarity while reinforcing the project’s storytelling objectives.
OUTCOME
The finished book serves as a visual and narrative showcase of the university, supporting institutional storytelling and providing a compelling representation of campus life.
SKILLS DEMONSTRATED
Narrative writing • editorial collaboration • place-based storytelling • visual-text integration • audience-focused communication


Black Linen
A 3 part short story series about Kenneth, an alcoholic, and his overly religious mother, Mrs Sanders.
PROJECT OVERVIEW
This three-part short story series explores the fragile intersection between life and death through the psychological and emotional decline of a man confronting mortality.
CONCEPT & INTENT
The narrative examines fear, memory, regret, and longing in the face of physical deterioration and impending death. Through Kenneth’s experience, the story reflects on how loss, addiction, heartbreak, and illness converge to reshape one’s sense of self and meaning. At its core, the series questions what remains when the future collapses and whether memory, love, and hope retain their significance at the threshold between life and death.
MY ROLE
I conceived and authored the series, developing its narrative arc, character psychology, and emotional pacing. The work focuses on intimate interior narration and dialogue to immerse readers in Kenneth’s psychological landscape.
PROCESS & APPROACH
The story combines medical realism with introspective storytelling, using fragmented memory, present-moment tension, and sensory recall to mirror the disorientation of illness and emotional trauma. Shifts between hospital scenes and personal memories create contrast between clinical reality and inner experience, emphasizing the emotional weight of unresolved love and unfinished life.
STRUCTURE & DEVELOPMENT
Presented as a three-part series, the narrative unfolds progressively, revealing the protagonist’s physical decline, emotional reckoning, and eventual confrontation with mortality.
THEMES EXPLORED
Mortality & acceptance • fear & vulnerability • addiction & self-destruction • memory & regret • love & emotional residue • the psychology of dying
OUTCOME & AUDIENCE
The series contributes to Ripple’s body of thought-provoking fiction, engaging readers interested in existential themes, psychological realism, and emotionally driven storytelling.
SKILLS DEMONSTRATED
Psychological storytelling • character-driven narrative • emotional pacing • existential themes • dialogue realism • narrative tension building
PROJECT OVERVIEW
This three-part short story series explores the fragile intersection between life and death through the psychological and emotional decline of a man confronting mortality.
CONCEPT & INTENT
The narrative examines fear, memory, regret, and longing in the face of physical deterioration and impending death. Through Kenneth’s experience, the story reflects on how loss, addiction, heartbreak, and illness converge to reshape one’s sense of self and meaning. At its core, the series questions what remains when the future collapses and whether memory, love, and hope retain their significance at the threshold between life and death.
MY ROLE
I conceived and authored the series, developing its narrative arc, character psychology, and emotional pacing. The work focuses on intimate interior narration and dialogue to immerse readers in Kenneth’s psychological landscape.
PROCESS & APPROACH
The story combines medical realism with introspective storytelling, using fragmented memory, present-moment tension, and sensory recall to mirror the disorientation of illness and emotional trauma. Shifts between hospital scenes and personal memories create contrast between clinical reality and inner experience, emphasizing the emotional weight of unresolved love and unfinished life.
STRUCTURE & DEVELOPMENT
Presented as a three-part series, the narrative unfolds progressively, revealing the protagonist’s physical decline, emotional reckoning, and eventual confrontation with mortality.
THEMES EXPLORED
Mortality & acceptance • fear & vulnerability • addiction & self-destruction • memory & regret • love & emotional residue • the psychology of dying
OUTCOME & AUDIENCE
The series contributes to Ripple’s body of thought-provoking fiction, engaging readers interested in existential themes, psychological realism, and emotionally driven storytelling.
SKILLS DEMONSTRATED
Psychological storytelling • character-driven narrative • emotional pacing • existential themes • dialogue realism • narrative tension building


Creator's Chill Chat
This is a space hosted by myself and Peace David @peaceboy0001 every Saturday @ 8pm WAT and 3pm EST on Twitter / X
CCC is a space where creators chill out on Twitter.
CCC is a space where creators chill out on Twitter.


Confidential B2B Client - Brand & Digital Engagement Campaign
Context
A growing tech brand sought to improve its brand clarity, digital engagement, and audience trust while preparing for expansion into new markets.
Challenge
• Inconsistent messaging across platforms
• Limited audience engagement
A growing tech brand sought to improve its brand clarity, digital engagement, and audience trust while preparing for expansion into new markets.
Challenge
• Inconsistent messaging across platforms
• Limited audience engagement